Tag Archives: AW14
Whoever is art directing and styling these J Crew pics is doing a fine job. These are my favourites…
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WORDS: Navaz Batliwalla/Disneyrollergirl
IMAGES: J. Crew
According to Editd.com, luxury stores have bought into more winter warmers, earlier in the season this year. Net-a-Porter alone has grown its autumn offer of outerwear by 117% compared to last year. Maybe it knows something we don’t? Colourful fake furs are key, as are oversized, slouchy shapes. I’ve noticed a lot of sophisticated-looking fake furs (as opposed to those Big Bird types from a few seasons ago) – I guess that’s the Shrimps effect. The all-enveloping poncho too is a big player, thanks to Issa’s cheery patterns and Burberry’s genius blanket wraps…
I’m still a fan of classics, so I’ve included a cape (from Saint Laurent) and a duffle (Burberry Brit) in my latest Net-a-Porter edit. And I’m trying to wean myself off the navy jumpers so I’m gravitating more towards Jonathan Saunders’ stripes and Bella Freud’s typography. While we’re on the subject, don’t forget that clocks go forward this weekend…
WORDS: NAVAZ BATLIWALLA/DISNEYROLLERGIRL
MAIN IMAGE: SAINT LAURENT AW14
Seriously loving Topman’s current coat campaign. This winter its focus is on classic men’s coats that have their roots in menswear tailoring heritage. The updated navy mac (£90) and houndstooth single breasted number (£90, above) are my favourites, and the camel overcoat (just don’t call it a Crombie) would be perfect if it was a bit longer. Note that Topman sizes start at an XXS (just saying). Continue reading
Much as I love the Burberry poncho, the silk map foulard is a more realistic proposition. I saw it IRL in Harrods last week (do head up to the new 6th floor Salon De Parfum by the way, it’s the ultimate olfactory experience) in the men’s department as it is indeed part of the Burberry Prorsum men’s AW14 collection.
At the show it was loosely tied over both shoulders, but what I like about this scarf is how thin and therefore malleable, it is. Continue reading
The life of a fashion designer is more fascinating (and varied) than ever. Researching and designing the collections is the creative bit but then come the extras; production, promotion, collaborations, not to mention the social media and editorial that have become such solid components of building a brand.
Harrods has decided to explore the mystique around designers and their processes by giving us a behind-the-curtain peek into four British designers and their businesses. Continue reading
Harrods is giving a big push to its digital content, bolstering its e-commerce with rich, online editorial. This month, I’m partnering with Harrods to spread the word on its latest editorial campaign, Inside The Studio.
In the run up to the British Fashion Awards, Harrods has teamed up with Alice Temperley, Antonio Berardi, Rupert Sanderson and Matthew Williamson to show us what we really want to see… what actually goes on in the ateliers? Continue reading
What could cheer up the prospect of autumn more than the arrival of new-season Chinti & Parker? Not much. The ethically-produced cashmeres and woollens are now routinely joined by dresses, skirts and blouses (not to mention easy-to-steal menswear). Feast your eyes… Continue reading
Can we take a minute to appreciate the new-look Bally, under the creative direction of Pablo Coppola? Emphasising the Bally ‘codes’ of precision and craftsmanship, there’s a focus on grown up wardrobe staples with a slightly relaxed flair – tailored trousers, boxy handbags, mannish coats, boyfriend shoes…
The ‘gentlewoman’s corner’ bag is my favourite, with its lopped-off corner. Continue reading
Gap’s ‘new’ creative director, Rebekka Bay is well into her stride now and fittingly for the Dane who came from COS, the look for AW14 is heavily weighted to a darker, Scandi-style aesthetic.
I particularly like the inky indigo blue denim (above) and the dark wool cocoon jacket (below). I’ve tried it on and it’s a great cut, ticking the box for smart but warm very well. Two other things Gap is nailing at the moment: cashmere and sweatshirts. Continue reading
Who needs expensive glossies when you can pick up this standard of editorial excellence free from an Hermes store? The autumn-winter 2014 issues of Hermes’ magazine has a feel of The Gentlewoman and Fantastic Man, both in the handsome casting and styling of its womenswear shoots (this one’s shot by Julia Hetta and styled by Camille Biddault-Waddington) and in the quiet and precise mood of its men’s accessory shoot… Continue reading