Yesterday was my favourite LFW day in terms of the designers I love. Preen, Toga, Topshop and Margaret Howell all rank high on my radar.
Preen veered off on an ultra-bright tangent compared to the monochrome minimalism of some of the shows we’ve seen so far. I liked the starker, print-free pieces, especially these jackets with the primary-coloured zips…
If there was any doubt that phones are now fashion accessories, last week rammed that thought home. With Apple‘s major unveiling during New York Fashion Week with key fashion press in the front row and Natalie Massenet representing (will she be selling the new Apple devices on Net-a-Porter?), the fashionisation of our everyday tech gear is indisputable.
OK the big fuss was all around the smart Watch but the general consensus among the fashion contingent is it ain’t all that (yet). Continue reading →
London designers are known for their youthful experimentation but they’ve becoming equally adept at delivering polished wearability. Day two’s highlights included Lucas Nascimento’s sheer, precision-cut layers (above and below), Joseph’s serene sportswear and Whistles’ luxe leather separates.
Even J.W Anderson surprised with extreme commerciality on his catwalk (combined with clever creativity of course), giving us that spring perennial ‘nautical chic’ his way, involving strategic cut-outs and rope details all accessorised with fetishy floppy leather hats. Continue reading →
London Fashion Week kicked off with two buzzy new names. Faustine Steinmetz showed as part of New Gen with her first presentation, a clever exploration of couture and branding, set in the suitably arty ICA.
I’m so impressed by this young designer, whose obsession for hands-on labour and figuring things out results in mind boggling textile experiments. On display were denim-look jackets of polyester styled out like Shibori (“It’s not Shibori at all! I actually handpainted it, I just like that look,” Steinmetz told me), and a jeans-n-jacket combo made from unravelled layers of upcycled denim creating a tufty fringe effect. Continue reading →
Here’s the latest ‘Ask Alison’ post from retail expert and DRG contributor, ALISON BISHOP who unpacks her physical-meets-digital findings so far from the SS15 fashion show season…
The fashion show is dead. Long live the interactive, digital brand experience now taking place during New York and London fashion weeks, where consumers, influencers and their collective social media clout are the preferred global audience. Continue reading →
Shinola klaxon! Yummy new Shinola watches have just landed at Net-a-Porter. The Detroit-based brand is getting a lot of attention at the mo for its leather goods, paper goods, watches and own-brand cola (called Shinola Cola obvs).
I like the classic understatement of these. They’re just masculine enough, without looking overly butch. I like the size too. I have tiny wrists so I can’t get away with those gigantic dinner plate watches that everyone loves. You can buy them HERE.
Mr DRG is quite the trainer connoisseur, having spent far too much time and money on them during the first wave of sneaker-freakery back in the day. Here’s his guest post on his latest Nike fixation…
I love the way that Nike has been updating classics from its archives over the last few years. Not such a stange statement you might think, but this comes from someone whose mantra is a fixed, ‘don’t mess with a classic, it’s classic for a reason’. Yet Nike is pulling it off, time and time again. Continue reading →
How good was the beauty look in my last editorial shoot? Make-up artist Jessica Mejianailed the post-summer contemplative mood perfectly with highlit cheekbones, sepia lids and well, that’s pretty much it. She kindly wrote down her how-to (below) and while the ingredients list isn’t lengthy, it’s all down to technique. Continue reading →
I’m not all that familiar with Tim Coppens‘ work but I liked what I saw of his SS15 womenswear at NYFW. A little bit Wang, a little bit Tait, it’s continuing on the sports-luxe tip (that’s clearly got plenty of mileage yet) and looks luxurious, technically advanced and just commercial enough. Continue reading →