Bally’s not holding back with its slick new vision. First came the collections, overseen by creative director, Pablo Coppola, followed by the relaunched website. Now the biggie – this week sees the unveiling of a brand new Bond Street flagship store, repositioned on the opposite side of the road to its previous premises and at 4,320 square feet, much bigger in scale. Continue reading
“I think nobody needs another fashion show. I think all of you sit in so many fashion shows that you can’t take it anymore at the end of the season. And you have to look at so much crap, too, that you probably don’t even want to see.”
Always good to hear what Thomas Maier has to say. Here he shares his thoughts on everyday design, fashion show fatigue and the intersection of physical and digital in retail. Via Style.com.
Here’s the latest weekly DRG STYLE INDEX ranking, a round-up of the brands currently buzzing on my radar…
1. NORDSTROM’S SECRET WEAPON
I keep reading about Nordstrom doing original things with digital and experiential retail and now I know why. Its director of creative projects is one Olivia Kim, formerly of Opening Ceremony, AKA queen of the clever collab and someone who just knows how to make retail exciting. Continue reading
This week is all about sharing the love for my fellow bloggers. I mentioned a while ago that Jane Cunningham from British Beauty Blogger has teamed up with M&S to launch a make-up range. It finally landed on counter last week. Continue reading
Quick heads-up to say, if you’re Stateside and an Estée Lauder fan, do hunt down this special hot pink solid perfume compact of Modern Muse. I love a solid fragrance and this one has been specially created for Breast Cancer Awareness Month, with 100% of the retail price ($49.50) going to The Breast Cancer Research Foundation®. Continue reading
The DRG Style Index: Marques’Almeida X Topshop, Louis Vuitton, J. Crew, Farfetch Discover, Shinola, Christopher Kane X NARS
The DRG STYLE INDEX has been on hiatus for a couple of weeks while Fashion Month took over. But it’s back with this week’s round-up of the brands currently buzzing on my radar…
1. ON YOUR MARKS FOR MARQUES’ALMEIDA X TOPSHOP
Roll on October 9th. Marques’Almeida’s 68-piece collection for Topshop is looking pretty good, with all the M’A hallmarks intact. Shredded denim, delicious true-blue washes, an overall rough-n-ready aesthetic…watch this one fly. (P.S, if you’re eyeing up the parka, be fast, it’s predicted to go first…) Continue reading
Gap’s ‘new’ creative director, Rebekka Bay is well into her stride now and fittingly for the Dane who came from COS, the look for AW14 is heavily weighted to a darker, Scandi-style aesthetic.
I particularly like the inky indigo blue denim (above) and the dark wool cocoon jacket (below). I’ve tried it on and it’s a great cut, ticking the box for smart but warm very well. Two other things Gap is nailing at the moment: cashmere and sweatshirts. Continue reading
Who needs expensive glossies when you can pick up this standard of editorial excellence free from an Hermes store? The autumn-winter 2014 issues of Hermes’ magazine has a feel of The Gentlewoman and Fantastic Man, both in the handsome casting and styling of its womenswear shoots (this one’s shot by Julia Hetta and styled by Camille Biddault-Waddington) and in the quiet and precise mood of its men’s accessory shoot… Continue reading
Will we ever tire of buying shoes? Judging by the last few years, it would appear our appetites are bigger than ever. Each shiny new footwear department (some big enough to have their own postcode), mall and ecom site just opens up more possibility, choice and downright longing.
The answer to the question “why do we still need fashion shows?” was answered succinctly on Monday with Thomas Tait’s powerpacked, techno-soundtracked stomper of a show. Fashion shows need emotion, energy and feeling in order to express something these days, the clothes are only part of the story. And so Tait created tension and anticipation in his concrete box of a location, with walls painted in collaboration with artist Georges Rousse setting an intriguing scene. Continue reading