“My intention was to take them and adorn my customers with them in a way that made someone wearing one of my garments feel cool, giving them that sense of “I’ve arrived!” I wanted to really make my customers stand out so that they felt like a celebrity in one of my pieces.”
Dapper Dan on his excessive custom-logo-ed hip hop garb, in conversation with Mandi Lennard on the LOVE blog
[Image: Dapper Dan with LL Cool J]
“I talked to my friend’s 17-year-old daughter about the slang that teenagers use, and this lovely young lady explained that all her friends call one another ‘bitches, sluts and whores’.”
Sofia Coppola, Red Magazine, on researching teen language for The Bling Ring
A successful film director who’s intelligent, glamorous and female? Let’s face it, it doesn’t happen often. So the glossies must have been gagging to get Sofia Coppola for their covers. The July issue of Red features a cover plus six pages of Coppola (sporting Miu Miu, Valentino and Chanel), in which she shares her own astute observations of celebrity culture and modern-day youth culture.
On researching LA teenagers for The Bling Ring, she said, “I talked to my friend’s 17-year-old daughter about the slang that teenagers use, and this lovely young lady explained that all her friends call one another ‘bitches, sluts and whores’. I also went to clubs in LA with all the girls dressed up in miniskirts and sky-high shoes. That was pretty exotic. Everyone was texting, taking pictures, and I tried to put as much of that in the film as possible. It was almost sci-fi, this idea that living does not count unless you are documenting it. All those things interest me and say so much about our culture, and what is emphasised as important.”
The July issue of Red is out on 5th June.
“Haring was very keen on Paris, he came often on the Concorde just to go dancing on Saturday and go back on Monday…”
Odile Burluraux, curator at the Museum of Modern Art, Paris on Keith Haring (via WWD)
The museum is hosting The Political Line, a retrospective of 250 pieces of Haring’s work that runs until August 18th.
[Photo by Philippe Bonan]
“The blatant pillaging of vintage archive looks and designers’ ideas is shameful and lazy. We end up going around in a creative circle rather than making progress.”
Interesting thoughts on fast fashion and vintage from Byronesque’s Gill Linton, PSFK
“For menswear, the shows coincide with delivery. When the men’s editors arrive in Milan, on Friday afternoon most people go, straight away, to Prada and it’s the Prada fight. Who can buy it first? Then we go and see the new show. You have to do it before the new show, while the old show is still ‘the new show’.”
Charie Porter discusses ‘newness’ at the menswear shows in BON International
“It always makes me so crazy when people on shows have a new winter coat every day. I wore the same winter coat for three years after college, even after my dog peed on it.”
Lena Dunham, in this insightful New York Times story on the costumes behind the characters in Girls
[Image credit: New York Times]
“I always say that I would rather spend a week at Rikers Island or the hospital than do Fashion Week. Don’t you think it’s like school? It’s sort of divided up into periods and it has mean girls and you go from one class to another. It’s the worst.”
Lynn Yaeger, New York Observer, 2009
“They have no metal parts. So when you go to places whose names I won’t mention, where you’re not allowed to take cameras, you can keep it on you and it doesn’t show up [on the scanner]. Of course I would never dream of doing that…”
From a great interview with Suzy Menkes in Industrie magazine
Love the above soundbite from FT editor Lionel Barber in this three-minute day-in-the-life video from CNN that shows how the Financial Times gets made:
And this is how it gets printed!