Today marks the eighth anniversary of this site. (Eighth? What the…?) I’m often asked where the name ‘Disneyrollergirl’ came from and I don’t really have a clever answer. It’s a combo of my love for Californian rollerskating imagery, retro Mickey Mouse paraphernalia and the Beach Boys tune, Disney Girls.
Rollerskating seems to be undergoing yet another revival, which is OK by me. Here’s a video I love, made by breathy French chanteuses Brigitte for their song, J’sais Pas…
Back in the day it was a sin to be seen in what we called ‘Adidas two stripe’. Trainers, trackpants, socks – anything that alluded to Adidas or Nike but was procured from Woolworths, M&S, British Homes Stores, or anywhere else not an official Nike/Adidas/insert name of ‘designer’ sports brand here outlet was the biggest fashion crime of all.
Fast forward several decades and how things have changed. Trust Isabel Marant to jump on the ‘athleisure’ trend with this faithful homage to Adidas (more…)
The answer to the question “why do we still need fashion shows?” was answered succinctly on Monday with Thomas Tait’s powerpacked, techno-soundtracked stomper of a show. Fashion shows need emotion, energy and feeling in order to express something these days, the clothes are only part of the story. And so Tait created tension and anticipation in his concrete box of a location, with walls painted in collaboration with artist Georges Rousse setting an intriguing scene. (more…)
Leaving aside if there’s anything ‘new’ being said at Saint Laurent, on a basic ‘want’ level there’s plenty I found to love from the menswear SS15 show. Admittedly, the menswear appealed more than the women’s pieces, but then I’ve always had a thing for Cuban-heel boots and rocker jeans and those ultra-thin scarf arrangements. (more…)
Is it just me or did the Topman Design SS15 show at LC: M feel like Madchester-meets-Britpop through an Elizabeth Peyton filter? Gorgeous colour palette, psychedelic print-clashing, sensitive-boy casting, floppy flares and wayward moptop haircuts. That’s your indie-boy look sorted for 2015…
Here’s the latest weekly DRG STYLE INDEX ranking, featuring the brands currently buzzing on on my radar…
1. PAULA GERBASE HEADS TO JOHN LOBB
This is rather exciting news for John Lobb. The British shoemaker, owned by Hermes, has appointed Paula Gerbase as artistic director. I don’t know the full story but I’m guessing the brand wants to expand beyond footwear (Berluti-style), and hiring a buzzy young luxury designer is a good way to do it. (more…)
“What we were doing back then, was rewriting the rules of being white and working class. We knew exactly what it meant to dance to black music in the era of the National Front and the racist standup comedian. Ours was a rebellion against pub culture, shit music and leery sexist nightclubs. Our weapon was obscure vinyl, made by black kids nobody had ever heard of.” Paul Mason’s recollections of the Northern Soul scene are a must-read on Vice.com
David Bowie Is at the V&A was a brilliant trip down memory lane as well as a peek into the brain of the enigma that is Bowie. However much we see of him, do we really feel like we know the man? Apparently, he kept an archive of everything he had ever done from his early youth.
Every song lyric, sketch, photo, sleeve design was carefully stored for…what? He didn’t know at his early age that he would become an icon of his time, but I guess the ambition was there.
Looking at the vitrines curated by a cast of London creatives at the ICA Off-Site project, ‘A Journey Through London Subculture – 1980s to now’, it’s clear that a lot of people have also kept the ephemeral fragments that sum up their artistic journey. From flyers to Polaroids, to scratchy notes and stickers, what to some looks like old junk, is of intrinsic value, especially in the digital age of cloud storage. (When was the last time you printed out your iPhone photos?) (more…)
“Your jeans would wear out in the crotch area – and we’re wearing very low rise, low waisted jeans – so you’d put the patches right where you want the girls to look. It was all stratgetically done. It was all done so that a girl would walk into a room and couldn’t help but look there. In retrospect, I now know that is what I was doing. At the time you’d say, “No, I’m just mending these jeans because they’re torn or they’re ripped.” But somehow they were always torn and ripped in the exact right place.”