Back in the day it was a sin to be seen in what we called ‘Adidas two stripe’. Trainers, trackpants, socks – anything that alluded to Adidas or Nike but was procured from Woolworths, M&S, British Homes Stores, or anywhere else not an official Nike/Adidas/insert name of ‘designer’ sports brand here outlet was the biggest fashion crime of all.
Fast forward several decades and how things have changed. Trust Isabel Marant to jump on the ‘athleisure’ trend with this faithful homage to Adidas circa 1983 in sheeny primary-hued polyester with just-slouchy-enough cut and zip pocket detail. Add to the Shit Bloggers Wear file and look out for the copies-of-a copy from Maje, Zara, Asos et al…
And check out how we rolled in 1983 (>>>FWD to 1.57)
WORDS: Navaz Batliwalla/Disneyrollergirl
IMAGES: La Garconne
The answer to the question “why do we still need fashion shows?” was answered succinctly on Monday with Thomas Tait’s powerpacked, techno-soundtracked stomper of a show. Fashion shows need emotion, energy and feeling in order to express something these days, the clothes are only part of the story. And so Tait created tension and anticipation in his concrete box of a location, with walls painted in collaboration with artist Georges Rousse setting an intriguing scene. Continue reading
Leaving aside if there’s anything ‘new’ being said at Saint Laurent, on a basic ‘want’ level there’s plenty I found to love from the menswear SS15 show. Admittedly, the menswear appealed more than the women’s pieces, but then I’ve always had a thing for Cuban-heel boots and rocker jeans and those ultra-thin scarf arrangements. Continue reading
Is it just me or did the Topman Design SS15 show at LC: M feel like Madchester-meets-Britpop through an Elizabeth Peyton filter? Gorgeous colour palette, psychedelic print-clashing, sensitive-boy casting, floppy flares and wayward moptop haircuts. That’s your indie-boy look sorted for 2015…
Here’s the latest weekly DRG STYLE INDEX ranking, featuring the brands currently buzzing on on my radar…
1. PAULA GERBASE HEADS TO JOHN LOBB
This is rather exciting news for John Lobb. The British shoemaker, owned by Hermes, has appointed Paula Gerbase as artistic director. I don’t know the full story but I’m guessing the brand wants to expand beyond footwear (Berluti-style), and hiring a buzzy young luxury designer is a good way to do it. Continue reading
“Visiting us is like visiting a cultural hub; it’s not simply a place for purchasing.”
Rough trade co-president Stephen Godfroy in The Guardian’s story on the opening of Rough Trade Records in New York
[Image: New York Times]
“What we were doing back then, was rewriting the rules of being white and working class. We knew exactly what it meant to dance to black music in the era of the National Front and the racist standup comedian. Ours was a rebellion against pub culture, shit music and leery sexist nightclubs. Our weapon was obscure vinyl, made by black kids nobody had ever heard of.”
Paul Mason’s recollections of the Northern Soul scene are a must-read on Vice.com
David Bowie Is at the V&A was a brilliant trip down memory lane as well as a peek into the brain of the enigma that is Bowie. However much we see of him, do we really feel like we know the man? Apparently, he kept an archive of everything he had ever done from his early youth.
Every song lyric, sketch, photo, sleeve design was carefully stored for…what? He didn’t know at his early age that he would become an icon of his time, but I guess the ambition was there.
Looking at the vitrines curated by a cast of London creatives at the ICA Off-Site project, ‘A Journey Through London Subculture – 1980s to now’, it’s clear that a lot of people have also kept the ephemeral fragments that sum up their artistic journey. From flyers to Polaroids, to scratchy notes and stickers, what to some looks like old junk, is of intrinsic value, especially in the digital age of cloud storage. (When was the last time you printed out your iPhone photos?) Continue reading
“Your jeans would wear out in the crotch area – and we’re wearing very low rise, low waisted jeans – so you’d put the patches right where you want the girls to look. It was all stratgetically done. It was all done so that a girl would walk into a room and couldn’t help but look there. In retrospect, I now know that is what I was doing. At the time you’d say, “No, I’m just mending these jeans because they’re torn or they’re ripped.” But somehow they were always torn and ripped in the exact right place.”
Nile Rodgers on the mating rituals of 70s fashion, GQ
Who doesn’t love a good, heartwarming music documentary? If you enjoyed Searching for Sugarman, you must look out for The Heart Of Bruno Wizard. I caught a screening at the East End Film Festival and am impatiently waiting for distribution news so I can see it again.
Bruno is one of those people that I’ve seen out and about and chatted to over the years but never quite understood what he does. The Heart Of Bruno Wizard is his story, told by first-time director Elisabeth Rasmussen. Of course, this isn’t really a music documentary at all but a heartfelt portrait of an artist. We follow his story from punk provocateur (he called his band The Homosxuals ‘to keep the record companies away’ – brilliant!) to artist, political activist and displaced Londoner. Cheesy as it sounds, The heart of Bruno does indeed come across. He’s an old school poet for the people in the same mould as Joe Strummer who never sold out and still carries his message in whatever art medium he can, to whoever will listen.
There are some excellent talking heads featured in the film, including fellow Warren Street squatters Stephen Jones and Marilyn. The music and archive home movie footage are fantastic too. You can get a taste in the trailer here…