If you watched the film Carol, and enjoyed Cate Blanchett’s red swishy coats, poised gestures and stolen glances through rain-streaked windows, then you might like to know where the inspiration came from. Saul Leiter was one of the great American street photographers, capturing cinematic scenes from the sidewalks of New York in delicious Kodachrome, back when colour photography was the height of unfashionability. (more…)
Would it be too much of a stretch to pin the ‘fashion-isation’ of beauty onto Chanel and its major moment with the iconic ‘Vamp’ nail? This year marks two decades since Uma Thurman sported the eggplant-hued mani (renamed Rouge Noir for commercial purposes) in Tarantino’s Pulp Fiction, scoring never-seen-before stampedes as well as initiating an era of product placement in movies that’s since become commonplace. (more…)
Now more than ever, fashion is part of the entertainment system. And no one knows this better than Giorgio Armani. An early believer in the commercial clout of red carpet dressing, his ad campaigns are cinematic extravaganzas worthy of their very own film awards.
Armani’s passion for cinema extends for another season to Films of City Frames, an initiative designed to give a platform to emerging filmmakers from four of the world’s most prestigious film schools. Their brief? To create a short film based on real life, set in the film school’s city – and starring Armani ‘Frames of Life’ eyewear in a supporting role. (more…)
Contemporary fine jewellery is undergoing something of a metamorphosis. Chanel’s Coco Crush line of 18 karat gold bangles and rings recently launched at Net-a-Porter (Chanel’s first foray into e-commerce), Delfina Delettrez has opened in Mount Street, while Repossi and Dauphin are currently the coolest jewellers in Place Vendôme. (more…)