The coats! The coats! The Dior pre-fall 2015 pics are in and it’s all about the coats. And they’re not prissy couture coats either but outdoor-friendly(ish), utility-luxe offerings for rainy walks on the Welsh hills or motorbike rides around Tokyo. Or so we’re led to believe.
I love the storm coats in shiny Stone Island-esque materials for chucking on and off, and especially the wet-look A-line zippy affair juxtaposed with snazzy sequins (sorry, pailettes). And when the familiar Dior structured cuts come into play, they’re reimagined in a younger, streetier finish than we’re used to. Continue reading
The end of a lovely chapter at Hermes ss15. I’ve enjoyed Christophe Lemaire’s vision at the house but I’m champing at the bit to see what Nadège Vanhee-Cybulski has in store too. Some called Lemaire’s final collection for Hermes a palate-cleanser* from the 70s overload seen pretty much everywhere else. Continue reading
Picture the scene: on arrival at the pap-packed arch of the Musee du Louvre courtyard, you’re greeted by the Dior show venue – a giant mirrored cube. Could this be construed as the ultimate symbol of our modern, narcissistic times? A reflection of us in all our peacock-y finery? This I wondered as I joined pretty much every other show-goer in taking an obligatory selfie to share immediately (cos if you didn’t record it and instantly share it, then you clearly weren’t really there). Continue reading
Slowly falling in love with Jil Sander again. Incoming creative director Rodolfo Paglialunga showed his debut for SS15 and I really like the youthful, school uniformness of the stiff shirting, wrap skirts and cool colour palette.
Someone in Bon magazine (Yasmin Sewell I think) said a while ago that they doubted the relevance of Sander now that other brands have stepped into the Sander space (Celine, The Row). But this younger take could appeal to a new customer, and I always like to support the underdog… Continue reading
This post is a little late because I had so much post-LFW catching up to do.
Simone Rocha is a favourite for Londoners and has finely tuned her unique communion-chic aesthetic. I loved how the models’ heads were swathed in sheer, flower-scattered voiles. Also, those pink lace-ups… Continue reading
I’ve been working with Oxfordstreet.co.uk as part of the Oxford Street Fashion Showcase this season, reporting on SS15 trends from London Fashion Week. My first post has gone live, highlighting some of next season’s emerging looks (that you can buy into now if you follow my advice). Click here to read. Continue reading
The answer to the question “why do we still need fashion shows?” was answered succinctly on Monday with Thomas Tait’s powerpacked, techno-soundtracked stomper of a show. Fashion shows need emotion, energy and feeling in order to express something these days, the clothes are only part of the story. And so Tait created tension and anticipation in his concrete box of a location, with walls painted in collaboration with artist Georges Rousse setting an intriguing scene. Continue reading
Yesterday was my favourite LFW day in terms of the designers I love. Preen, Toga, Topshop and Margaret Howell all rank high on my radar.
Preen veered off on an ultra-bright tangent compared to the monochrome minimalism of some of the shows we’ve seen so far. I liked the starker, print-free pieces, especially these jackets with the primary-coloured zips…
PREEN BY THORNTON BREGAZZI
London designers are known for their youthful experimentation but they’ve becoming equally adept at delivering polished wearability. Day two’s highlights included Lucas Nascimento’s sheer, precision-cut layers (above and below), Joseph’s serene sportswear and Whistles’ luxe leather separates.
Even J.W Anderson surprised with extreme commerciality on his catwalk (combined with clever creativity of course), giving us that spring perennial ‘nautical chic’ his way, involving strategic cut-outs and rope details all accessorised with fetishy floppy leather hats. Continue reading