Picture the scene: on arrival at the pap-packed arch of the Musee du Louvre courtyard, you’re greeted by the Dior show venue – a giant mirrored cube. Could this be construed as the ultimate symbol of our modern, narcissistic times? A reflection of us in all our peacock-y finery? This I wondered as I joined pretty much every other show-goer in taking an obligatory selfie to share immediately (cos if you didn’t record it and instantly share it, then you clearly weren’t really there). Continue reading
The DRG Style Index: Marques’Almeida X Topshop, Louis Vuitton, J. Crew, Farfetch Discover, Shinola, Christopher Kane X NARS
The DRG STYLE INDEX has been on hiatus for a couple of weeks while Fashion Month took over. But it’s back with this week’s round-up of the brands currently buzzing on my radar…
1. ON YOUR MARKS FOR MARQUES’ALMEIDA X TOPSHOP
Roll on October 9th. Marques’Almeida’s 68-piece collection for Topshop is looking pretty good, with all the M’A hallmarks intact. Shredded denim, delicious true-blue washes, an overall rough-n-ready aesthetic…watch this one fly. (P.S, if you’re eyeing up the parka, be fast, it’s predicted to go first…) Continue reading
My favourite colourists and patternists, Eley Kishimoto just unveiled their first collection of hand-printed wallpapers at Decorex International. Yes, some of them are downright tripppy but they’re sooo good!
Eley Kishimoto wallpapers are screen printed to order and you can buy them HERE.
Gap’s ‘new’ creative director, Rebekka Bay is well into her stride now and fittingly for the Dane who came from COS, the look for AW14 is heavily weighted to a darker, Scandi-style aesthetic.
I particularly like the inky indigo blue denim (above) and the dark wool cocoon jacket (below). I’ve tried it on and it’s a great cut, ticking the box for smart but warm very well. Two other things Gap is nailing at the moment: cashmere and sweatshirts. Continue reading
Slowly falling in love with Jil Sander again. Incoming creative director Rodolfo Paglialunga showed his debut for SS15 and I really like the youthful, school uniformness of the stiff shirting, wrap skirts and cool colour palette.
Someone in Bon magazine (Yasmin Sewell I think) said a while ago that they doubted the relevance of Sander now that other brands have stepped into the Sander space (Celine, The Row). But this younger take could appeal to a new customer, and I always like to support the underdog… Continue reading
Who needs expensive glossies when you can pick up this standard of editorial excellence free from an Hermes store? The autumn-winter 2014 issues of Hermes’ magazine has a feel of The Gentlewoman and Fantastic Man, both in the handsome casting and styling of its womenswear shoots (this one’s shot by Julia Hetta and styled by Camille Biddault-Waddington) and in the quiet and precise mood of its men’s accessory shoot… Continue reading
This post is a little late because I had so much post-LFW catching up to do.
Simone Rocha is a favourite for Londoners and has finely tuned her unique communion-chic aesthetic. I loved how the models’ heads were swathed in sheer, flower-scattered voiles. Also, those pink lace-ups… Continue reading
Will we ever tire of buying shoes? Judging by the last few years, it would appear our appetites are bigger than ever. Each shiny new footwear department (some big enough to have their own postcode), mall and ecom site just opens up more possibility, choice and downright longing.
This summer, I noticed a trend emerging that I couldn’t wait to hit the high street. All the skater boys were wearing too-short jeans, an inch or so above their battered Vans and it’s a look I’ve always loved.
The skinny jeans obsession has peaked so we’re after something new. and as it coincides with Normcore, I’m just going to say it – welcome back Levi’s 501, I’ve missed you.
How I’d like to wear too-short 501s? Exactly like this. If your 501s aren’t this length when you buy them, you can get them altered at the Levi’s store, fast and free (I think mine were done in a day). And the walkable heels showing just a bit of skin are a refreshing change from Tribute-style ankle-breakers (RIP).
[Main pic: Tommy ton/Style.com]
The answer to the question “why do we still need fashion shows?” was answered succinctly on Monday with Thomas Tait’s powerpacked, techno-soundtracked stomper of a show. Fashion shows need emotion, energy and feeling in order to express something these days, the clothes are only part of the story. And so Tait created tension and anticipation in his concrete box of a location, with walls painted in collaboration with artist Georges Rousse setting an intriguing scene. Continue reading