The new Chanel London flagship opens in New Bond Street tomorrow and at 12,600 square feet it’s a vast improvement on its Old Bond Street predecessor. In terms of trends, retail and otherwise, it weaves in quite a few. There’s the trend for ‘at home’ styling; featuring grand mantlepieces, ample couches and coffee tables (for the wealthy BRIC customers to consider their purchases I suspect, not for bored husbands and kids). Continue reading
The art-fashion convergence continues to broker commercial collaborations. I quite like this one between Louis Vuitton and street artist Ben Eine. Eine has reimagined his signature typographic letters for Vuitton, arranging his colourful words on a silk square scarf. Although given the choice between knotting it round my neck and framing it, I think I’d prefer the latter.
I actually can’t find any info on this collab I’m afraid. Instead I found this very sweet video of Eine talking about his work a few months ago…
UPDATE: Ok I found some info. A lot of info!
Yikes, where is the time going? This week is the last chance to see Lichtenstein – A Retrospective at Tate Modern and I managed to get my eye in fashionably late last week. If you love his classic dot artworks, this is a chance to see them in huge scale which is really not to be missed. Most people are familiar with the War and Romance era, the comic-book style ‘WHAMM!’s and melodramatic close-ups of women in distress. Continue reading
Showing at the Saatchi Gallery this weekend is Collect, the annual international art fair from The Craft Council, now in its 10th year. Go up to the top floor and you’ll find the Project Space, an area highlighting the conceptual work of eleven artists whose work bridges the gap between art and craft. Among them is Hormazd Narielwalla who is exhibiting five ‘Love Gardens’ sculptures, based on discarded military suit patterns. Continue reading
“Haring was very keen on Paris, he came often on the Concorde just to go dancing on Saturday and go back on Monday…”
Odile Burluraux, curator at the Museum of Modern Art, Paris on Keith Haring (via WWD)
The museum is hosting The Political Line, a retrospective of 250 pieces of Haring’s work that runs until August 18th.
[Photo by Philippe Bonan]
Creating beauty from urban detritus. Robert Rauschenberg did it, Peter Blake did it, Eduardo Paolozzi did it, but well before them, Kurt Schwitters built his deliciously layered collage art from found materials. He even invented a name for it – ‘Merz’ – which described his equal opportunities approach to creativity, in which all artists materials and techniques had the same value. Continue reading
What an amazing digital art exhibition! I’ve just discovered Tracey Emin’s ‘I Promise To Love You’ display, which runs in New York’s Times Square throughout February. A display of her neon artworks on Times Square’s billboards, it’s part of the “Midnight Moment”, a presentation of the Times Square Advertising Coalition (TSAC) and Times Square Arts. Continue reading
Opening today at the ICA is Juergen Teller’s ‘Woo’ exhibition. I’m desperate to see it, in particular his landscapes that I’ve only recently discovered. Here’s a clip I found (above) of him shooting Helena Bonham Carter with his two Contaxes. And here’s another one (below) of him shooting Kate Moss. (Venetia Scott makes an appearance too)… Continue reading
Years and years ago I bought a photo book by Alexander Liberman called The Artist In His Studio (it’s out of print but you can still find it on Amazon and eBay). I was (and still am) a bit obsessed with artists and their paraphernalia.
In this month’s US Vogue, Annie Liebovitz has produced her mini-version, featuring the studios of Jeff Koons, John Currin and Jasper Johns. I loved the accompanying interviews and the close-up of Jasper Johns’ charcoals and pastels. I definitely think she should do a follow up to the Liberman book.
On a side note, another publication that offers regular peeps into artists’ studios, and writers’ abodes, is Apartamento. I’ve just finished reading the last issue which featured the bookseller Conor Donlon and the writer Duncan Fallowell (below) who has every nook of his atelier stuffed with books. I can’t decide if this is heaven or hell…
William Klein + Daido Moriyama is possibly the best thing I’ve seen all year. Comparing and contrasting both photographers’ approaches to street life in New York and Tokyo, it instantly appealed to my love of graphics and energy in documentary photography. Years ago I saw a Garry Winogrand exhibition at The Hayward and I still vividly remember those in-yer-face compositions of life in New York. Some of these reminded me of those.
The exhibition space is a layout of vast, high ceiling-ed rooms that give breathing space to the biggest and most dramatic Klein artworks (he often mashed up photography and art by sploshing paint around the borders of the image or across the image itself for even greater impact). Like his wide-angle compositions that put you in the midst of the action, the design of the exhibition repeats Klein’s sense of big city chaos. Framed photos are densely ordered row on row, depicting the busyness and character of Rome, Moscow, Tokyo and New York. Also integral are the photo books on display by both Klein and Moriyama, many on loan from Martin Parr’s extensive collection.
Moriyama’s work is less punchy and more detached than Klein’s, with greyer, grainier portraits of Tokyo and New York street life. They didn’t have such an immediate impact for me but I loved the room of Polaroid montages towards the end. The exhibition is on at Tate Modern until 20th January and I highly recommend going on a Friday evening to avoid the weekend crowds.