Question: what do sexy-shoe designers do when footwear fashions shift from £600 super-stilettos to £100 trainers? Well I guess they switch focus to bags. Is this the reason for Charlotte Olympia’s forthcoming business-friendly line? The new line of work-appropriate leather handbags launches for AW14, focusing on structured top handles, totes and clutch bags. (I love this ruby red ‘Bogart’ top handle, above.)
But shoes aren’t totally neglected. There’s an accompanying ‘Nine To Five’ line of lower-heeled pumps that nod to Dellal-style whimsy (think leopard print and peekaboo details). Served up in a briefcase-style box, complete with matching stockings, look out for them in June on Charlotteolympia.com and Net-a-Porter.com.
Sorry PRs but my big highlight of Paris Fashion Week wasn’t the shows or the parties but the new exhibition, Dries Van Noten: Inspirations. Showing at the Arts Decoratifs Museum until 31st August, Dries Van Noten and curator Pamela Golbin have coincidentally created an assemblage of exhibits that encompasses a number of my own favourite themes.
Downstairs is big on the foppish overlaps of masculinity and femininity, the romance of youth subcultures and a fascination with British monarchy and society. As you enter the exhibition through Azuma Makoto’s giant floral fantasia, you’re greeted by a room wallpapered with pop culture references. From camp Divine posters to Interview magazine covers, these are easily recognisable to anyone who grew up in the 80s. Dries Van Noten’s early designs from his student days at the Antwerp Royal Academy (his 1981 sun motif coat looks especially contemporary) sit alongside influential pieces by Kenzo, Mugler, Versace and Worlds End-era Westwood, culled from the museum’s own archive.
The subsequent vitrines are grouped in themes such as ‘Iconclast’, ‘Graphic’ and ‘Butterflies’ and display seemingly disparate items – a film clip, artwork or ancient textile piece – alongside examples from a chosen Dries Van Noten collection, to demonstrate his creative through process. It’s funny to think this is the first time a designer exhibition (it’s not billed as a retrospective) has been presented this way because it really makes a lot of sense in revealing the common passions and aesthetics of the brand and the man. Continue reading
What a surprise to see a Nigel Shafran shoot in Vogue. And styled by Joe McKenna too. Shafran’s last Vogue shoot was 21 years ago and he has brought his quiet observational style to the the UK title with this ode to consumerism (beating Karl to the punch), shot in the temples of Vuitton, Chanel and Celine on Avenue Montaigne… Continue reading
I love this combo of long and long on The Sartorialist. We’re so used to the oversized boxy silhouette that this looks different and sweet.
I also just noticed the Vuitton bag. I’ve recently fallen back in love with the classic Vuitton monogram used in the most simple context and you can’t beat a functional cross-body bag.
“I see all these magazine articles aimed at business women proposing clutch bags for the office,” laughs Mireia Llusia-Lindh, “and it’s like, are you crazy! My customers need more than a clutch for their office bag, but it needs to look good.” Llusia-Lindh started life as a management consultant before bringing her business and creative brains together to launch her handbag line, Milli Millu (not to be confused with Meli Melo). Continue reading
Woah, why is everyone in fashion obsessed with Normcore and Acting Basic? These anti-fashion trends could be a reaction to the street-style/overdressing circus, or maybe we’re just tired of agonising over how we look. Plus, sometimes basic Gap tees and Fruit Of The Loom sweats can look as good as clean, serene Celine (well, almost). Continue reading
Who doesn’t love a dinky, micro-sized Chanel perfume bottle? Newly available from the Les Exclusifs de Chanel range are 15ml perfume extracts in Beige (above), 1932 and Jersey. With these perfume extracts you have the highest concentration of perfume so just a couple of drops should last several hours. Continue reading