“My intention was to take them and adorn my customers with them in a way that made someone wearing one of my garments feel cool, giving them that sense of “I’ve arrived!” I wanted to really make my customers stand out so that they felt like a celebrity in one of my pieces.”
Dapper Dan on his excessive custom-logo-ed hip hop garb, in conversation with Mandi Lennard on the LOVE blog
[Image: Dapper Dan with LL Cool J]
Ah at last, the mad but highly irresistible banana print separates from Topshop are now online. I shot the skirt (£38) a while ago on Andrea from Union Models and we all cooed over its cheeky wit. It comes in a thick denimy cotton which means it’s equally suited to black opaque tights and boots as jelly sandals and ankle socks. Continue reading
“I talked to my friend’s 17-year-old daughter about the slang that teenagers use, and this lovely young lady explained that all her friends call one another ‘bitches, sluts and whores’.”
Sofia Coppola, Red Magazine, on researching teen language for The Bling Ring
A successful film director who’s intelligent, glamorous and female? Let’s face it, it doesn’t happen often. So the glossies must have been gagging to get Sofia Coppola for their covers. The July issue of Red features a cover plus six pages of Coppola (sporting Miu Miu, Valentino and Chanel), in which she shares her own astute observations of celebrity culture and modern-day youth culture.
On researching LA teenagers for The Bling Ring, she said, “I talked to my friend’s 17-year-old daughter about the slang that teenagers use, and this lovely young lady explained that all her friends call one another ‘bitches, sluts and whores’. I also went to clubs in LA with all the girls dressed up in miniskirts and sky-high shoes. That was pretty exotic. Everyone was texting, taking pictures, and I tried to put as much of that in the film as possible. It was almost sci-fi, this idea that living does not count unless you are documenting it. All those things interest me and say so much about our culture, and what is emphasised as important.”
The July issue of Red is out on 5th June.
Now here’s something timely for all those agonising over what to wear for the wedding/polo/posh barbeque season. THE OUTNET.COM
*prices from 40-70% off original retail price
Oh boy, I bet all those po-faced sportswear companies are sooooo glad they finally embraced the fashionisation of sportswear. Since they begrudgingly accepted that trainers and windcheaters have a place beyond the running track – ideally in the wildest and wackiest colour combos – there’s been no stopping them. Continue reading
After my trip to the Saatchi for the Hermes Festival Des Metiers press preview, I nipped into Anthropologie for a quick browse. That’s a lie of course. There’s nothing quick about an ‘Anthro’ browse. I was there for the best part of an hour, upending every cup and plate and inspecting every book. Continue reading
Nice one Other Shop! Continuing its mission to nurture emerging designers, Matt and Kirk have brought a. Knackfuss to London. Alice Knackfuss’s menswear-fused womenswear mixes tailoring and classic staples with exciting prints and clever, playful details. Continue reading
Trending for spring: boyfriend shorts, sheer-panelled skirts, barely-there bandeau tops… Um, not in my world they’re not. On rotation in my wardrobe right now is the same thing I’ve been wearing since last September – an endless cycle of jumbo cardigans and polo necks, underpinned by a lifetime’s supply of Hanro vests. Where would I be without my Hanros?
My go-to Hanro is the ‘1601‘ in black or white, made famous by Nicole Kidman in Eyes Wide Shut, but otherwise worn by thousands as a pretty spaghetti-strapped vest that works under any weight or sheerness of top. I wear mine under T-shirts, jumpers, silk shirts and sheer blouses. And if it does get properly balmy, you can wear one on its own too.
The adjustable-strapped V-neck vests (and short sleeve tops, my other Hanro addiction – seen on Kate Moss, above) are made in Switzerland from mercerised cotton, wool and silk. Some are trimmed with filigree embroidery still produced in Swiss factories. They’re not cheap – the 1601 costs £29 for the cotton version – but they’re beautifully made and absolutely last. Cost-per-wear wise, they’re a very good investment.
[Images: Kate Moss by Corrine Day for Vogue]
What’s all this talk about craft fatigue? What a load of nonsense, I’ve only just got started! Some might say that the thrill of seeing the skills at the heart of the world’s most luxurious handbags, scarves and watches is starting to tire but I hope that’s not the case. I love getting the inside secrets to age-old processes and that’s exactly what you’ll get when you visit the Hermes Festival Des Metiers exhibition at the Saatchi Gallery. Continue reading