Today was a nice gentle start to a week of press days before everything kicks off tomorrow – a combo of press days and (possible) G20 riots, what fabulous timing!
Best gift Manish Arora for Swarovski CRYSTALLIZED T-shirt with Lakshmi – the goddess of beauty and luck – portrayed in a glitzy arrangement of crystals
Best discovery Jessica McCormack jewellery – especially her foxy fox ring. Each piece is a one-off. Best accessories Oxfam’s press loan service -particularly the stack of Princess Di-era Alice bands that have been donated by an on-trend do-gooder. Expect to see them adorning the pages of Vogue, Elle and Harper’s from August onwards.
Best goss Diesel’s ‘Black Friday’ concept. No clue when it’s happening but apparently, a stash of golden tickets a la Charlie & the Chocolate Factory will be secreted around the globe. The lucky punters who find them can redeem them in the form of a hefty discount on Diesel merch like this distressed denim boa…Snazzy! I’ll keep digging for more info.
Best shoes The new footwear range by American Retro – I’m all about the studded Desperately Seeking Susan boots, aren’t you?
‘When people worry they should be wearing only jeans and a top from Zara in these difficult times, I say “nonsense”. After a rose, and maybe chocolate, a pink dress is the only thing guaranteed to make us happy.’ Alber Elbaz, Grazia
*Update: Matches blogger Ruth also loved Alber’s quote but went one better and posted a pic of one of his fab pink dresses… How beautiful?
“There will be queues. I’m telling you. The billboards have been up, the word is out, and I expect them to be camped out in the streets from the night before.” Faith Hope Consolo of TopShop NYC’s real estate company Prudential Douglas Elliman
Last Thursday I attended the Fashion Business Club talk where Vogue.co.uk editor, Dolly Jones interviewed Vogue editor, Alexandra Shulman. Shulman is under intense pressure to deliver a magazine that’s still relevant in the current climate – challenging when your target reader is the person being hit hardest by the recession and advertising revenue is in the doldrums. Yet the lady seated in front of us did not look stressed at all. In fact she came across as extremely likable, good at her job and knowing of her audience, despite having never edited a women’s magazine before arriving at the helm of Vogue 17 years ago.
I’ve condensed her most insightful answers into soundbites, but you can read more here.
On getting the Vogue editor job 17 years ago: “It was the last thing in the world that I wanted to do.”
On fashion as a scapegoat for the world’s ills: “Fashion has become a whipping post for everything from body image to celebrity culture to the economy. The media picks on fashion because it can use fashion pictures to illustrate their stories. A fashion picture looks good so makes you more likely to read the story.”
On how the recession affects Vogue’s shoots: “The emphasis has moved to styling as opposed to photography. I have a great team and their styling tips have become more useful for our readers.” [This is so true, I loved the styling feature in the current issue…]
Tips for up-and-coming designers and what a small business needs to survive: *Product is key – make your message clear *Be consistent in your offering *Press is important but needs to be focussed, it’s not necessary to get celebrity endorsement from the outset *Find a business partner to work with (“if you are going to be a designer, it is a business. You can’t just be an artist.”) *Accept it takes time
On supermodels: “They became too powerful. When the models were getting more attention than the designers, the designers started sourcing Hollywood”
On interns: “I can’t tell if an intern is good at styling or writing from just seeing them around the office but the successful ones are smart, efficient and make an imprint on you without getting in your face and being irritating.”
On the future of fashion magazines: “There’s a lesson to be learnt from what’s happening with newspapers – they’ve killed off the papers in favour of putting content online, yet online isn’t making the money.”
On the magazines she reads: “I read the New Yorker for unbeatable journalism and I love interiors magazines. I get all the magazines so I don’t need to buy them but I look at them to see who’s copied us! I noticed Grazia used our ‘More Dash Than Cash’ idea but called it ‘More Dash, Less Cash’.”
On LOVE: “We were very competitive with Pop so when Conde Nast took on LOVE I wasn’t sure how it would play out. But it’s very different. Its focus is fashion and celebrity, it’s industry-insidery. Ad-wide they’re a lot cheaper than us, but our circulation is 220,000 and they’re aiming for 40,000 so it’s very different.”
On the importance of fashion shows: “Fashion shows are a good marketing tool yet different clothes work in different ways. Sometimes doing catwalk collections sends things on the wrong tangent. It drives me crazy, putting clothes in the magazine that people can’t actually buy.”